Jethro Lieberman with the Albion press. Photo by Marilynn K. Yee for the New York Times. |
Last month, about 35 people came to the special viewing of William Morris's Albion press at Christie's in New York. The group included members of the Morris Society, the Grolier Club, and the American Printing History Association. The viewing included a talk by longtime owner of the press, Jethro Lieberman.
Lieberman also told of occasions on which visitors were invited to set their own name in type and print a personal keepsake. In describing his decision to sell the press, he said he wished it to be put to work, rather than to remain a static icon of William Morris. Indeed his father, a journalist, printer and one of the founders of the American Printing History Association, had refused offers from institutions wanting to purchase the press for display purposes.
The
press sold the next day for $233,000 by Bromer Booksellers, of
Boston, acting on behalf of an unnamed client "who will put it
to good use." The client, it was later revealed, was the Cary
Graphic Arts Collection at the Rochester Institute of
Technology.
Steven
Galbraith, curator of the collection, assured fans of the press that
it would not simply be put on display:
“The Kelmscott/Goudy Press will have an active life at RIT, not simply as a museum artefact, but as a working press accessible to students, scholars and printers... I’m certain that the Kelmscott/Goudy Press will be a great inspiration to students at RIT and to others who visit our library’s pressroom.”
1 comment:
It sounds as though the press has gone to a good home, though I didn't quite realise that (according to the NYT piece referenced here) you need an Arnold Schwarzenegger-style physique to be able to use it!
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